PRESS KIT
Press Kit
Material for exhibitions, interviews and publication, gathered in one place: profile, artist statement, exhibition history and works. The page is laid out so it can be printed and handed over as it is.
Profile
- Name
- Meisai Okamoto
- Japanese
- 岡本明才
- Born
- 1971
- Based in
- Kōchi, Japan
- Practice
- Working with pinhole cameras and the camera obscura since 2006
Biography
Use whichever length suits your format. Please ask before editing.
Short (about 20 words)
A Kōchi-based artist working with pinhole cameras and the camera obscura.
Medium (about 60 words)
Meisai Okamoto (b. 1971, based in Kōchi, Japan) has worked with pinhole cameras and the camera obscura since 2006. He turns the bed of a light truck, rooms and existing openings in buildings into photographic apparatus, taking as his subject the conditions under which an image forms at all.
Long (about 120 words)
Meisai Okamoto (b. 1971, based in Kōchi, Japan) has worked with pinhole cameras and the camera obscura since 2006. Starting from the simplest principle — that light passing through a small aperture forms an image, with no lens involved — he has turned the bed of a light truck, rooms, a five-metre-square space and existing openings in buildings into photographic apparatus. His work makes visible the conditions under which an image comes into being: exposure time, the size of the aperture, the distance to the subject. In 2025 he held the solo exhibition Pinhole Camera Extended at kanzan gallery, Tokyo.
Reviews & coverage
External articles and exhibition records. The descriptions below are summaries by this website.
回帰する写真 清水穣評 鷹野隆大「bodies」展、武田陽介「STRUCT.RE:CALL」「Lost in Translation」展、岡本明才「ピンホールカメラ・エクステンデッド」展
A review of several photography exhibitions, discussing Okamoto’s apertures and the images that appear within a space.
【展評】岡本明才「Pinhole Camera Extended」(2025.6.7-7.13|kanzan gallery)
Discusses Okamoto’s exploration of photographic apparatus through works made with large cameras and rooms.
2025年7月のレビュー/写真家はイデオロギーや美術の動向に染まらずに制作が可能か
Includes installation photographs and observations on light and works that resist familiar photographic genres.
光の根源を「拡張」するピンホール写真:岡本明才「Pinhole Camera Extended」展@Kanzan Gallery レビュー / に、かこつけてのピンホールやカメラオブスキュラなどに関わる作家などのあれこれ
An extended review of the apparatus and works, considering their relationship to earlier artists including Nobuo Yamanaka.
【写真展】R3.4/2~4/30_清水穣キュレーション「showcase #9」"visions in and out"(岡本明才、佐藤華連)@eN arts
A detailed visitor’s account of the two-person exhibition at eN arts, Kyoto, with installation photographs.
岡本明才 個展「ピンホールカメラ・エクステンデッド」
An exhibition announcement covering the beginnings of the practice, changing apparatus and biography.
Pinhole Camera Extended
Introduces an exhibition tracing nineteen years of practice, with its concepts, dates and venue.
岡本明才「ピンホールカメラ・エクステンデッド」
Background and visitor information for the solo exhibition at kanzan gallery.
showcase #9 “visions in and out” curated by minoru shimizu
Introduces the two-person exhibition of Meisai Okamoto and Karen Sato, curated by Minoru Shimizu, and its theme.
《QWERTY VISION #03》岡本明才/見元大祐
A 2020 exhibition in Matsudo, with Sawada Mansion photographs, the artist’s text and the street-display format.
岡本明才「In the pinhole」
A record of the 2014 solo exhibition at Book & Gallery Popotame, presenting landscapes made with large handmade cameras.
一人快芸術
The museum’s record of the 2009–2010 exhibition, naming Okamoto among the participating artists, with its concept, dates and installation views.
EN / Sawaman Gallery Room 38 (JPN) – 2016-05-06 – 2016-05-28
The venue’s record of the 2016 group exhibition in Umeå, Sweden, naming Meisai Okamoto among the exhibitors.
New York 岡本明才写真展報告
The artist’s own report on the 2013 New York exhibition, with photographs of installation and exchanges during the visit.
Artist Statement
Pinhole Camera Extended
We decide that “this is how the world is”, without ever doubting what we see.
But have we truly seen it? Governed only by the strength and direction of light,
are we not simply looking at what we have been shown?
A pinhole camera gives form to a single simple principle: that light travels straight.
There is no correction by a lens, no deliberate selection.
Light passes through a hole and binds the world together. That is the whole mechanism.
I extend this apparatus not to look at a landscape, but to make a place that asks
how the act of seeing itself shapes the world.
Where does the real end and the image begin?
Why does what should be visible pass by unseen?
Perhaps it is not that we cannot see it — only that we are not looking.
The world is always there.
The question is what, and how, we are each trying to see.
Making history
The development of the apparatus, in eight periods. The full text and the 16 production photographs are on the site's making-history page.
- 01Prologue42 sheets of photographic paper inside a camera the size of a light truck, exposed at staggered times — the first work.
- 02The Digital Room-Camera YearsRoom 38 of the Sawada Mansion covered in blackout cloth, the view outside projected onto the paper doors; exposure down to about 40 minutes.
- 03The Film Room-Camera YearsA switch to large-format film, with exposure extended from two hours to eight.
- 04The Digi-Cardboard YearsA smaller box and a shorter distance to the hole bring exposure down to two minutes, combining the weaknesses of pinhole and digital.
- 05The Years of Going EnormousFrom projecting the image onto something to projecting it onto the landscape itself; the cameras grow enormous.
- 06A Message from a PredecessorA camera made from the hole in the cover of a Nobuo Yamanaka catalogue; the hole itself enters the image.
- 07The Bicycle-Camera YearsTo photograph the view and the hole at once, a large, heavy camera is moved on a bicycle.
- 08The Big Pinhole YearsA doorway acts as the pinhole, and the building opposite and the sky appear on the floor.
Solo Exhibitions
Listed as year, title, venue.
- 2025Pinhole Camera Extendedkanzan gallery, Tokyo
- 2018Camera Obscura ExhibitionTAO gallery, Kochi
- 2017A 3-DAY BUILDING PHOTO EXHIBITIONSouth harimaya Building, Kochi
- 2015CLEARSawada Mansion Gallery room38, Kochi
- 2014THE MOST BEAUTIFUL LIGHT NEXT TO THE DARKSawada Mansion Gallery room38, Kochi
- 2014IN THE PINHOLEBook & Gallery POPOTAME, Tokyo
- 2013Sketch of the SunSawada Mansion Gallery room38, Kochi
- 2013Sketch of the SunIse Cultural Foundation, New York
- 2012CAMERAShinjyuku Ophthalmologist Gallery, Tokyo
- 2012CAMERASawada Mansion Gallery room38, Kochi
- 2011heuristicSawada Mansion Gallery room38, Kochi
- 2010Platonic IdealismSawada Mansion Gallery room38, Kochi
- 2009vu ja deGallery Graffiti, Kochi
- 2008camera to cameraBook & Gallery POPOTAME, Tokyo
- 2006Photo XSawada Mansion Gallery room38, Kochi
- 2006Times CorridorSawada Mansion Gallery room38, Kochi
Group Exhibitions and Other Activities
- 2021showcase #9 ‘visions in and out’ curated by minoru shimizueN arts, Kyoto
- 2019InoBiennalIno City, Kochi
- 2019Kami Art Annual vol.7Kami Museum of Art, Kochi
- 2019Azoun SnapGALLERY E, Kochi
- 2018echo Resonance ReverberationSantana Gallery, Ehime
- 2017EYE Meisai Okamoto≒Chinatu KadowakiGALLERY E, Kochi
- 2017INOB OrderIno City, Kochi
- 2016ENGallery VERKLIGHETEN, Sweden Umeå
- 2016Sawans11Sawada Mansion Gallery room38, Kochi
- 2016「 」Surprise ShowSawada Mansion Gallery room38, Kochi
- 2016EN ARTIST IN RESIDENCESawada Mansion Gallery room38, Kochi
- 2016ONAEBA VOL.17KIITO, Kobe
- 2014ONAEBA VOL.15Kyocera Dome, Osaka
- 2014Machi to Sora Art FestivalEast Iya Ochiai, Tokushima
- 2014Green RunGallery Graffiti, Kochi
- 2013Art Picnic Vol.3 My Home Your HomeAshiya City Museum of Art and History
- 2013Machi to Sora Art FestivalAwaikeda, Tokushima
- 2012Garaku Project Vol.3Kochi City Culture Plaza Cul-Port, Kochi
- 2012INOB Order2.0Ino City, Kochi
- 2012Renovation ExhibitionWarakon Museum, Kochi
- 2011Sawada Mansion Gallery Tokyo ExhibitionBook & Gallery POPOTAME, Tokyo
- 2009Self-sufficient ArtHiroshima City Museum of Contemporary Art, Hiroshima
- 2009FOTO RESIDENTSTOTEM POLE PHOTO GALLERY, Tokyo
- 2008MAXIMUMGallery Sante, Kochi
- 2007Garaku Project Vol.1Kochi City Culture Plaza Cul-Port, Kochi
- 2007PHOTO EXHIBITION LOVE WALLGallery Graffiti, Kochi
- 2006Creators File vol.5Slogadh463 Gallery, Okayama
- 2006Sound and PicturesGallery Faust, Kochi
- 2005Kochi Legacy Tokyo ExhibitionBook & Gallery POPOTAME, Tokyo
- 2005√2 Meisai Okamoto × Shingai MakotoGallery Graffiti, Kochi
- 2005Artist Book ExhibitionGallery nBox, Kochi
- 2005時の旅人展Gallery nBox, Kochi
- 2004Kochi Legacy ExhibitionGallery Graffiti, Kochi
Work Series
Full details and all images for each series are on the work pages of this site.
- 2024穴の大きさによって変化する風景2 published imagesView the work page
- 2024部屋に空をうつす3 published imagesView the work page
- 2021Fading Light2 published imagesView the work page
- 2020THE MOST BEAUTIFUL LIGHT NEXT TO THE DARK sakura2 published imagesView the work page
- 2017–2020CAMERA OBSCURA12 published imagesView the work page
- 2018umi3 published imagesView the work page
- 2017COLOR3 published imagesView the work page
- 2017BUILDING PHOTO4 published imagesView the work page
- 2016Umeå sun12 published imagesView the work page
- 2016perspective3 published imagesView the work page
- 2014–2015IN THE PINHOLE4 published imagesView the work page
- 2014THE MOST BEAUTIFUL LIGHT NEXT TO THE DARK24 published imagesView the work page
- 2013祖谷の太陽3 published imagesView the work page
- 2013Nobuo Yamanaka I respect1 published imagesView the work page
- 2013SKETCH OF SUN4 published imagesView the work page
- 2013sea&sky1 published imagesView the work page
- 2012CAMERA11 published imagesView the work page
- 2011yaminoututu7 published imagesView the work page
- 2011heuristic2 published imagesView the work page
- 2009vujade4 published imagesView the work page
- 2009hikari20 published imagesView the work page
- 2008CAMERA TO CAMERA6 published imagesView the work page
- 2006時の回廊1 published imagesView the work page
About the images
The images on this site are published so that the works can be viewed. For print or other media, please get in touch about resolution and credit.
Please follow the site for titles, dates and credit lines. Contact us in advance if cropping or colour adjustment is required.
Contact
For exhibitions, interviews, publication or image requests, please use the contact page.
- Official site
- https://meisaiokamoto.com/
- This document updated
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